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NYFW SS16

NYFW comes to an end today.

If you aren't following all the action on Snapchat, what are you doing with your life? Get. On. It. Here's a selection of our favorite collections from the SS16 shows and the key things to take away from the season.

Boss: felt much softer than past seasons. Normally, I think of the Boss girl as being one that's headed to a very serious office but that's no longer the case. It seems she is now a bit younger and a bit more carefree. I am now officially craving a suit. No actually, three suits: one in black, one white & one grey please. It seems that ethereal sheer pleats should come standard on every dress, a narrow wrap around belt is a must, and the chic leather sandal is staying around and must be worn with everything.

Thick electric blue eyeliner is also a must according to Jason Wu. But with it you may need the constant attention of someone that can apply it for you because, for real, that stuff looks messy.

Calvin Klein: highlight of the week. Something about this feels so much cooler and more effortless than past collections. Everything is very fluid. The skater sneakers paired with every look really brought it down to earth. I love the long coats over slinky silks, the gold body chain (yeah, for real), and the splattering of light neutral colors. 

Brock Collection: high. All about an easy dress and Brock had them in spades. They look chic, wearable and flattering. Exactly the sort of thing people would actually want to wear and look good in. The pieces make sense. I especially love the button up striped dress worn over jeans. It feels contemporary and quite grown up but still with an added edge. 

With that I bring my NYFW thoughts to a close. 

Photos via Vogue.com

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Jason Wu

I'm willing the autumn/winter 2014 season to come to an end. Spring is floating in front of us like a distant mirage yet we're still stuck in the confines of layers and knits.

Now that New York Fashion Week has started we're bypassing spring altogether and going straight into next winter's wardrobes. It's all a bit hard to get your head around but, with collections as beautiful as Jason Wu's latest, it's worth making an effort to comprehend.

His show was stocked full of covetable separates and a slew of drool worthy dresses. The shapes were simple and streamlined. Necklines were either plunging or crew neck. The colour palette paid homage to an old school Banana Republic one with army greens, blacks, creams and a splattering of blood red. He has been criticized for lacking drama with this collection but I'd argue the normality of it provides its strength. What's lacking in extravagance is made up for in sheer wearability. 

The coats were perfection, the leather shift faultless, and the knotted back black dress the perfect companion for any unseasonably warm winter's night. To top it all off there was a little red structured bag that would look effortless draped over any girls arm. 

Jason Wu's fall show felt less White House and more youthful. It wasn't corporate or overly structured. Not too girly or too blatantly sexy. It walked the fine line of being perfectly conservative in a way that Americans do best. Because for all its reservedness it still packed a serious punch. Add a black leather biker jacket and Converse to any of these looks and your golden in my book. 

Photos via style.com

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resort 2011 highs and lows...

My personal favourite of the 2011 Resort Collections was certainly Jason Wu's. The sleek aesthetic and the sheer wearability of every single piece that came floating down the runway set it head and shoulders above the others. With a mix of bold strips, summery tweeds and two-toned daffodil prints there was plenty to get excited about. The shapes were spot on. Lady like a-line shifts, swishy floor skimming evening dresses, streamlined shorts and full trousers. The proportions were quirky. Borrowing a bit from menswear at times (army jackets, oversized blazers and big trousers) but always done with a very feminine edge. There were soft colours mixed with bright oranges, watery blues and khakis. Pussycat bows, boater hats, and two-toned heels were the details to watch out for. There wasn't a combination that walked down the runway that I wouldn't wear in full. In my books this show was a serious stunner. I'd pair that outfit on the left with some chunky ankle booties, little socks, some retro sunnies and be good to go...

Hailed as being 'perfectly suited to the modern woman' I took Rachel Roy's collection to be a bit of a mess. Maybe it was just the frazzled hair and striped sheer pieces that threw me... because there definitely are some stunning pieces. But overall the whole thing channeled a bit more a schizophrenic vibe than a Michelle Obama one (who is apparently meant to be a fan). I love the massively oversized trousers, the colours, and the tailored dresses. But it just looks a bit all over the place: one part wigged out 70s hippie and one part sleek upper east side sequined socialite. It just doesn't go together to create a directional collection... rather, it just looks confused.
While we're on the topic of being confused, seriously what was Michael Kors thinking? No doubt there are some beautiful pieces - the man can do classic crisp white perfectly and his cashmere knits are to die for. But, who ever styled this collection should be shot. The models range from being so dramatically over-layered that they look like yeti-wannabes to teetering on the edge of resembling an exabitionist. Surely there is no other reason that you would wear this heinous square python printed coat (presumably with nothing underneath), paired with a massive floppy hat (to shield your face when the police come to find you), bare legs, and sandals unless, of course, you were planning on flashing somebody... she looks like a total bald nutter. Not only is none of it wearable but it looks awful. One of my least favourite things of all time are long boots (especially of the python print variety, hello! can you get any tackier?) worn with short summery dresses and bare legs. It looks so hideously cheap and slutty. Michael, seriously! You are meant to represent American style as a beacon of class. You've seriously let your girl down on this one. To top off the plethora of disconcerting combinations, monstrous layering followed skimpy cut-away python print (yes, there really was a lot of it) swimwear. Really just a bizarre combination that leaves you wondering what time of year it is and just what kind of resort he was planning for? I'm all about mixing things that traditionally don't go together... but you've taken it one step too far this time Mr. Kors.
Obviously this isn't representative of the whole of resort 2011, there were plenty of shows that I haven't mentioned plus more designers still have to show. Check out more of the outfits that came down the runway along with all the other collections at Style.com.
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